"I can’t accept that. I can’t accept that there was only one black woman in the entire film, who delivered one line and who we never saw again. I can’t accept that the bad guys were Asian and that although in China, Lucy’s roommate says, “I mean, who speaks Chinese? I don’t speak Chinese!” I can’t accept that in Hercules, which I also saw this weekend, there were no people of color except for Dwayne Johnson himself and his mixed-race wife, whose skin was almost alabaster. I can’t accept that she got maybe two lines and was then murdered. I can’t accept that the “primitive tribe” in Hercules consisted of dark-haired men painted heavily, blackish green, to give their skin (head-to-toe) a darker appearance, so the audience could easily differentiate between good and bad guys by the white vs. dark skin. I can’t accept that during the previews, Exodus: Gods and Kings, a story about Moses leading the Israelite slaves out of Egypt, where not a single person of color is represented, casts Sigourney Weaver and Joel Edgerton to play Egyptians. I can’t accept that in the preview for Kingsman: The Secret Service, which takes place in London, features a cast of white boys and not a single person of Indian descent, which make up the largest non-white ethnic group in London. I can’t accept that in stories about the end of the world and the apocalypse, that somehow only white people survive. I can’t accept that while my daily life is filled with black and brown women, they are completely absent, erased, when I look at a TV or movie screen.s"
watching locke and holy fuck it’s so good. tom hardy is the fucking master
It’s far less important to me to be liked these days than to be understood.
Adèle Exarchopoulos for Flavor Magazine, September 2013 (x)
Track Title: Space Oddity
Artist: David Bowie
Album: Space Oddity
this is major tom to ground control
i’m stepping through the door
and i’m floating in a most peculiar way
and the stars look very different today
growth, decay, transformation
Movie trivia: Sofia Coppola wrote a lot of the film based on her life. The character of John (Giovanni Ribisi) was loosely based on her then husband Spike Jonze. Rumor has it that the Anna Faris’ character, Kelly, was supposedly Cameron Diaz, with whom Spike Jonze worked with on Being John Malkovich, though Coppola denied the connection in an Entertainment Weekly interview.
"My daughter had a friend named Max. She told me Fight Club is his favorite movie. I told her never to talk to Max again."